MARBL

Manuscript, Archives, & Rare Book Library

Writers: Robert Penn Warren

Writers LogoThe Writers exhibition, on display in the Schatten Gallery until November, features photographer Nancy Crampton’s pictures of authors,poets, novelists, journalists and other writers. A small selection of MARBL materials, chosen by guest curators from the Emory community, complements each photo. The materials illuminate the connections the writers have with each other and the special collections in MARBL. The guest curators were asked to write an essay explaining how their own research has been influenced by using primary source materials, and we will be featuring them here once a week. The following essay is by Rosemary Magee about Robert Penn Warren.

Discovering Atlanta: The Southern Confederacy

Atlanta Southern Confederacy

The Southern Confederacy, October 5, 1861


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Discovering Atlanta Logo

The Southern Confederacy was a newspaper published in Atlanta during the Civil War from 1861-1865. It was strongly Southern Democrat and functioned during the War as one of the main newspaper outlets in Atlanta, with the other being the Daily Intelligencer. 

The original version of the Southern Confederacy was first published in 1859 by James P. Hambleton. Franklin Garrett mentions the highly talked about newspaper in Atlanta and Its Environs by stating that Hambleton "was a fire-eater, and his editorials were highly intemperate in tone." (Garrett, p.454) Hambleton was a strong voice in a city which was growing rapidly, in a country which was heading towards war. In May, 1861, Hambleton joined the Confederate Army and the title for the paper was transferred to C.R. Hanleiter and George W. Adair who at the time were publishers of the Gate City Guardian. The papers merged and retained the name Southern Confederacy. You can find Hanleiter's diary from 1861-1865 on microfilm in MARBL.

Related Story:

Discovering Atlanta

Related Links: 

Civil War Research Guide

Southern Confederacy
in DiscoverE

 

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MARBL has a bound volume of the Southern Confederacy from August 13, 1861-February 11, 1862. Though this doesn't cover the bulk of the war and the Battle of Atlanta, it is a fascinating look at how Atlanta reported on the war when it wasn't right on the city's doorstep.

The cost for the paper was $5.00 a year for a daily subscription or $2.00 a year to get the paper weekly. It was made up largely of advertisements and classifieds including this one for W.F. Herring and Co. selling military goods for cash only.  Railroad schedules and ticket prices were listed on the front page as well as a Fraternal Record which included local lodges and meeting information.

Advertisement in the Southern Confederacy
Advertisement in the
Southern Confederacy,
1861

The articles written brought news of the war and also of the newly-formed Confederate government including the unopposed Jefferson Davis electoral ticket for President. Other news included articles about a new postage act enacted by the Confederate Congress, as well as opinion pieces about how Atlanta and Georgia should be involving themselves in the war effort.

Though the Southern Confederacy did not survive the war, it is a solid record of Atlanta during a period of tremendous unrest and upheaval. It is a study in not only how the war was being relayed to the people of Atlanta, but also of the daily functions of a young, Southern city in the early 1860s.

 

 

Reference:
Garrett, F. (1954). Atlanta and environs: A chronicle of its people and events, vol. 1. New York: Lewis Historical Publishing Company, Inc.

Authored By: 

Sara Logue, Research and Public Services Archivist, MARBL

MARBL's Digital Archives Program Continues to Evolve and Expand

Lucille Clifton's Word Processor

Lucille Clifton's Word Processor and Monitor, Digital Archives, MARBL

 


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Related Story:

The Digital Archives Program Settles Into MARBL.

Related Links: 

Digital Archives

Digital Access

 

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MARBL'S Digital Archives program is still new, only in its second year, deeply collaborative, and, in keeping with the larger field, constantly evolving. Our collections are part of hybrid archives that consist of both paper materials and born-digital content, files that are created and maintained in a digital medium. These digital archives appear in many of MARBL's manuscript collections, including the "papers" of Salman Rushdie, Lucille Clifton, Eamon Grennan, and Turner Cassity.

The material can take a surprising range of forms both physical and digital. We house hardware (such as old desktops, laptops and even older word processors) and store digital files created with computer applications that have long since gone out of use.

The challenge and opportunity of digital archives is to respect and leverage what makes this kind of archival content different while also integrating it into the broader collection for the benefit of patrons and researchers. Achieving this balance within the ever-changing landscape of digital archives demands broad cooperative efforts and regular surveys for new developments in the field . If we want to be effective stewards of our collections, we must attend to our own objects, archive, and researchers but we must also remain engaged with the larger field and, even more broadly, other sectors that may advance our work in the archives, such as digital forensics and personal information management.

Salman Rushdie Workstation
Screenshot from the Salman Rushdie Workstation,
Located in the Reading Room of MARBL

I am always elated when a change within the Digital Archives program coincides with new developments within the broader digital archives field. For instance, MARBL's Digital Archives staff will soon be expanding to include a digital archivist/metadata specialist and a Woodruff Research Library Fellow, both of whom are relatively new to digital preservation. Just as I am preparing orientation and training documentation for this new staff, the National Digital Stewardship Alliance (NDSA) announces the official launch of its new outreach program, Digital Preservation in a Box . This resource acts as a sort of anthology of digital preservation concepts, glossaries, tools, and resources that will prove invaluable as I orient new staff to the work of MARBL's Digital Archives program and to our ongoing professional development as we grow. The kind of cooperation that creates such open-source tools (and ensures their ongoing relevance and maintenance) drives the field of digital archives and makes it a dynamic space in which to work and learn.

Authored By: 

Erika Farr, Curator of Digital Archives, MARBL

Writers: Derek Walcott

Writers LogoThe Writers exhibition, on display in the Schatten Gallery until November, features photographer Nancy Crampton’s pictures of authors,poets, novelists, journalists and other writers. A small selection of MARBL materials, chosen by guest curators from the Emory community, complements each photo. The materials illuminate the connections the writers have with each other and the special collections in MARBL. The guest curators were asked to write an essay explaining how their own research has been influenced by using primary source materials, and we will be featuring them here once a week. The following essay is by Sarah Peterson about Derek Walcott.

Writers: W.H. Auden

Writers LogoThe Writers exhibition, on display in the Schatten Gallery until November, features photographer Nancy Crampton’s pictures of authors,poets, novelists, journalists and other writers. A small selection of MARBL materials, chosen by guest curators from the Emory community, complements each photo. The materials illuminate the connections the writers have with each other and the special collections in MARBL. The guest curators were asked to write an essay explaining how their own research has been influenced by using primary source materials, and we will be featuring them here once a week. The following essay is by Jake Adam York about W.H. Auden.

The Art of Work in A Work of Art: The John Biggers Papers, 1950-2001

by Mashadi Matabane, Graduate Student in the Institute of Liberal Arts at Emory University, and Graduate Assistant to Randall Burkett, Curator of African American Collections in MARBL

John Biggers Sketch of Man Picking Cotton
Sketch of Man Bent Over Picking Cotton,
John Biggers Papers

Dr. John Thomas Biggers (1924-2001) was a versatile American artist and art educator whose particular mix of murals and drawings made artistic appeals and references to identity, community, and Africa throughout a long career beginning in the 1940s. MARBL's acquisition of the John Biggers Papers, 1950-2001 contains a multitude of materials that demonstrate how the working life of one man ultimately created a masterful life's work.

Writers: Ralph Ellison, James Baldwin & Gwendolyn Brooks

Writers LogoThe Writers exhibition, on display in the Schatten Gallery until November, features photographer Nancy Crampton’s pictures of authors,poets, novelists, journalists and other writers. A small selection of MARBL materials, chosen by guest curators from the Emory community, complements each photo. The materials illuminate the connections the writers have with each other and the special collections in MARBL. The guest curators were asked to write an essay explaining how their own research has been influenced by using primary source materials, and we will be featuring them here once a week. The following essay is by Lawrence P. Jackson about Ralph Ellison, James Baldwin and Gwendolyn Brooks.

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