Benny Andrews exhibition features 20 original drawings

Published 03-26-2012

"Drummer Man" by Benny Andrews

  Emory University will host an exhibition of 20 original drawings by the late Benny Andrews, on loan from the Andrews Humphrey Family Foundation. “Like a Purple Haze Across the Land: The Art of Benny Andrews” runs March 28 through Nov. 2, 2012, in the Corridor Gallery on Level 3 of the Robert W. Woodruff Library at Emory University.

“We’re very excited to be able to show these original works by Benny Andrews at Emory, the first time they have been exhibited as a group,” said
Randall K. Burkett, curator of African American collections at the Manuscript, Archives, and Rare Book Library (MARBL) at Emory. “Andrews always had a devoted following of art collectors and art lovers in Atlanta, and we’re extremely honored that Nene Humphrey, his wife of 20 years, chose Emory for this exhibition.”

A symposium on Andrews’s life and work will be held Wednesday, April 18, at 7 p.m. in the Jones Room, Level 3 of the Woodruff Library. Associate curator of African American Collections and curator of the exhibit
Pellom McDaniels III will discuss Andrews’ art, followed by a presentation by Humphrey, also an artist. Her talk is titled “Artist to Artist: Reflections on a Life Together.” The program will begin and end with refreshments and an opportunity to view the exhibition. The symposium is co-sponsored by the Department of African American Studies, the Department of Art History, and the Graduate Institute of the Liberal Arts.

The exhibition consists of line drawings, many of which Andrews created while he attended the School of the Art Institute of Chicago. “He traveled the streets of Chicago and recorded what he saw, the nightlife, the culture,” McDaniels said. They include images of a man playing a piano, a preacher at a pulpit, a traveling man with his case and guitar, and a man playing the drums.

McDaniels says the title of the exhibition was inspired by a reference author Jean Toomer made in his novel “Cane,” which reads, “Dusk, suggesting the almost imperceptible possession of giant trees, settled with a purple haze about the cane.”

“Looking at some of the work of Benny Andrews, it reminded me so much of the work of Jean Toomer, and that they were connected,” McDaniels said. “It also reminded me of the work of Alice Walker and ‘The Color Purple.’ So you have three Southern artists, and the idea of ‘a purple haze across the land’ deals not just with race but with memory, but the memory is thick, and it’s attached and embedded and woven into everything, and his work for me represents that purple haze or the color purple.”

McDaniels thinks viewers will find the range and the content of Andrews’ work appealing. “He’s very much a humanist. He sees the commonalities and struggles across race, across region, geography,” McDaniels says. “I think that was one of the unique things about him as an artist. For him, it was to go beyond what you’re trying to say with your art and actually act on these notions the art represents.”

MARBL is the proud holder of the Benny Andrews papers, consisting of more than 160 boxes of manuscripts as well as sketch books, exhibition catalogs, and other materials that document the life and work of this beloved Georgia-born artist.

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