The Manuscript, Archives, and Rare Book Library (MARBL) at Emory University recently acquired three photograph collections that will enhance its archives of the arts and art history, Atlanta and Southern history and the LGBT community.
The new collections are the photographs, artwork and personal papers of Dianora Niccolini, a pioneering female photographer in New York City known for photographs of the male body; Ron Sherman’s photographs of 1970s Atlanta, and photo albums from photographer and artist Alli Royce Soble that document Atlanta’s LGBT community and arts scene in the 1990s.
“Each collection is notable in its own way,” says Randy Gue, MARBL curator of modern political and historical collections, “but together they significantly expand our collections of photographs and enhance our materials about gender and sexuality, the history of Atlanta and the South and LGBT life. These visual materials represent dynamic and compelling resources for students, scholars and the public.”
The three collections are:
●The photographs, artwork and personal papers of Dianora Niccolini, photographer and artist from New York City. Born in Florence, Italy, Niccolini is widely regarded as one of the pioneering women to photograph the male body and male nudes, and her photographs predate the work of Robert Mapplethorpe.
“Dianora’s photographs are a remarkable addition to MARBL’s collections that explore sexuality and gender,” says Gue. “Her work is distinctive and unusual. I can’t wait to see how it is used in research and teaching.”
Niccolini’s family left Italy after World War II and immigrated to America. She moved to New York City in 1955 to study art but decided to pursue photography after she met Weegee – Arthur Fellig – the famous street photographer in 1960. Unable to find work in the male-dominated field, Niccolini worked as a medical photographer in several local hospitals. Because of her day job photographing surgeries and diseased bodies, she was drawn to making pictures of what she called “healthy bodies” in her art photography, Gue says. She published “Men in Focus,” a book about women looking at men, in 1982 and edited “Women of Vision: Photographic Statements of 20 Women Photographers” the same year. As a result of the discrimination she encountered, Niccolini helped found Professional Women Photographers, an organization designed to support and promote women in the profession.
The collection consists of Niccolini’s photographs, negatives and slides, examples of her paintings and other artwork, subject files related to “Men in Focus” and printed material regarding her exhibitions and speaking engagements.
● Photographs of 1970s Atlanta by Ron Sherman. Sherman arrived in Atlanta in 1971 and began photographing life in the city and the state on assignment for Life magazine, Newsweek, The New York Times, Sports Illustrated, Time and The Washington Post. In addition, he sent his work to his agency in New York City so it could be licensed to other publications, but when the agency closed, all his prints were sent back to him, Gue says.
The collection consists of 750 vintage silver gelatin prints documenting Southern politics, business and culture. It features photographs of Atlanta’s changing built environment, political figures like Jimmy Carter, Maynard Jackson, Andrew Young and George Wallace and iconic photos of Hank Aaron’s record-breaking 715th home run. Gue says Sherman’s photos dovetail with MARBL collections such as the Newsweek Atlanta bureau records, Robert W. Woodruff papers, and many other collections.
“We are delighted to acquire Ron Sherman’s prints,” Gue says. “His photographs provide a powerful and articulate visual connection to MARBL’s distinctive collections that document the history, culture and politics of Atlanta during the crucial decade of the 1970s.”
● Photograph albums from Atlanta photographer and artist Alli Royce Soble. The collection consists of 24 albums that document LGBT life including drag shows, fashion shows, parties and other events at places such as My Sister’s Room and The Tower, as well as Atlanta Pride celebrations, an LGBT March on Washington, Atlanta’s 1996 Olympic Torch events and other happenings. Soble has annotated the albums, providing captions for most of the photos.
“One of the ways we can understand the city is through the lives of its residents – so in these albums Alli is documenting people, places and events, but she’s also recording stories of the city through her life,” Gue says. “This collection provides a fascinating glimpse not only into this person’s life, but also into these cultures in Atlanta. It’s two stories intertwined, which will give a great perspective to students and scholars.”
All three collections, although unprocessed, are available to researchers. A preliminary inventory of each collection can be found in the related links section.
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